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Originally Posted by champkind
ive never seen requim for a dream, my brother has recommended me to. is it worth the watch?
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Every movie is worth a watch because every individual will get something different out of it. I personally didn't care for it, but who knows how you'll view the film?
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Originally Posted by X The Dude X
I've heard that said a lot when I mention wanting to remake it. Granted it'd be hard to replace that cast, but I think it's possible.
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Agree to disagree, then, because I don't think it'd work at all. That cast was phenomenal, and what's more: They all performed exceptionally.
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Originally Posted by X The Dude X
And I like Tarantino, but he's not the best screenwriter in town, it's possible to work off of his sccript and add what needs to be added for the extra scenes.
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Tarantino may not be the "best," but he is one of the most distinct voices in screenwriting. Nobody I've ever seen has ever written dialogue as skillfully and been able to establish such seamless relationships between wide varieties of characters in the same way Tarantino has done, and Reservoir Dogs is, along with Pulp Fiction, the best example of that skill.
I just don't think anybody out there could do Tarantino justice.
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Originally Posted by X The Dude X
To see the robbery would add a lot of depth to the movie IMO.
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Maybe, but I don't think it's necessary since the robbery isn't what the film was about. It's the same as Hitchcock's MacGuffin: It's just a tool to advance the story.
Reservoir Dogs is about the AFTERMATH of the robbery, the way the characters interact with each other and the paranoia that permeates the crew, and while the robbery would've been one more good scene, it wasn't necessary and I don't think anything was lost in the film that resulted.
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Originally Posted by X The Dude X
And you hear the commotion with Mr. Pink outside the warehouse, but it's inclusive if he lives or dies, which was a pretty cool way to end the flick. But I'd like to show closure of that if I were to re-do it.
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Eh, I think that'd be superfluous. Keitel and Roth were the main characters and their relationship evolved into the most important aspect of the story and closing the film out on them was IMO the right move on Tarantino's part.